This issue has three short stories and four novelettes (which I’ve reviewed below) as well as several poems and the regular nonfic pieces (which I haven’t reviewed).
In Carrie Vaughn’s novelette ‘The Mind Is Its Own Place’, starship navigator Mitchell Greenau finds himself in medical/psychiatric care when his vocation catches up with him, in the form of OSDS, a disorienting and sometimes psychosis-inducing disorder brought on by the physically subversive mathematics underpinning jumpspace calculations. The medics tell Mitchell he should trust them, rather than his own mind … but then they would say that, wouldn’t they? This is a claustrophobic, in-your-face, reflective piece that quite gets under the reader’s skin.
‘Dome on the Prairie’, by Robert Reed, reimagines Little House on the Prairie as an alien invasion piece, which works better than it might sound.
‘Epitome’, a novelette by Tegan Moore, takes on identity dilemmas and recuperative medical themes in a manner quite different to Vaughn’s story. Shelby has elected to provide home care for the seriously-injured Vivian, her roommate and friend, but Vivian is not as mentally responsive as she was before the accident. When Shelby seeks to ‘improve’ Vivian’s Personify avatar, to recapture something of the Vivian it seems she’s lost, things snowball. The characterisation in Moore’s story is impressive, though I didn’t feel it quite matched the searing brutality of Vaughn’s piece.
Peter Wood’s ‘Academic Circles’ pits English Lit associate professor (and Philip K Dick aficionado) Kate Warner against her plagiaristic colleague Thomas Marzano, who has somehow managed to predictively steal her latest manuscript. Wood’s story doesn’t take itself too seriously, but it gets the academic politics pretty well spot-on.
Jack Skillingstead’s novelette ‘All That Mess’ also starts with a University background, as combinatorial topology lecturer Dunn is presented, by one of the students attending his lectures, with a fascinatingly-incomplete formula he is asked to resolve. Problem is, completing the formula initiates a decidedly suboptimal sequence of paradigm shifts, which Dunn is the only person able to correct—if he can do so before the monsters he’s unleashed finish off him and his newfound romantic interest. This is an enjoyable and effective piece which doesn’t address anything too profound, but which sustains reader engagement nicely.
In ‘All That Robot’, by Rich Larson, we see events through the photoreceptors of Carver Seven, stranded on an island with several others of his kind and with one sole outcast human. If Reed’s story is Little House on the Prairie meets Space Invaders, Larson’s is Lord of the Flies with robots, and it’s satisfyingly resonant.
Ian R MacLeod’s novelette ‘The Visitor from Taured’ rounds out the issue’s fiction. I’ve noticed several times that Sheila Williams, Asimov’s editor, tends to choose stories with at least one eye to how they interact with each other, and ‘Taured’, which again evolves out of a University opening, effectively plays off the disciplines of English lit (the narrator Lita is a student of noninteractive analogue literature, ie books) and multiverse theory (her close friend Rob Holm is an astrophysicist who hopes to prove the validity of the budding-universe hypothesis) against each other, thereby juxtaposing the themes of the preceding stories by Wood and Skillingstead. This is a well-realised story that unfolds slowly but finishes strongly.
This is a pretty strong issue, and though I felt a couple of the stories had some flaws, they all held up pretty well: there are some missed opportunities, maybe, but no wasted space. My favourites here are those by Vaughn, Larson, and MacLeod.