A new Gordon Mamon space-elevator murder mystery novella. A painterly xenohominid who cannot correctly choose the pigments that best represent the humble tomato; and the larger-scale problem this may signify. The complicated combination of ethical, economic, aesthetic, engineering, and tactical considerations that come into play when choosing the raygun that most ideally suits one’s own particular purposes. And my nastiest Titan story yet. It can all only mean one thing.
Actually, that’s a rather pointless assertion: it can very obviously mean any of several quite different things, the range of which I am not going to seek to encompass here. There is one thing that it does mean, and that one thing is this one thing: I have a second short story collection in the works, a follow-up, as it were, to Rare Unsigned Copy, and this second collection will be released (assuming all goes according to plan) at the start of October.
Most of the more titivating details, such as the full Table of Contents and the cover artwork, will be revealed closer to the time. For now, I can let slip that, like its predecessor, the new collection will be published (in print and e-book editions, as usual) by Peggy Bright Books, and edited by Edwina Harvey.
The title of this new collection? Well, after Rare Unsigned Copy, what else could it be? It’s Difficult Second Album.